The Wellesley Hospital School of Nursing celebrates its centennial!

Although the Wellesley Hospital School of Nursing graduated its last class in 1975 when it officially became part of Ryerson’s School of Nursing, we celebrate its history and spirit – kept alive by its active and dedicated Alumnae Association – on what would have been its 100th anniversary year.

The school opened in 1912, with the official opening of the Hospital, It graduated its first class of 10 nurses in 1915, and its last class of 71 nurses in 1975.  In between it graduated 2083 nurses. Its Alumnae Association was created in 1915 and is still active today.  In 2011 The Association donated its collections of papers and artifacts to the Ryerson University Archives (see earlier blog post  Wellesley Alumnae donation )

To celebrate Wellesley’s centennial, the Ryerson Archives has created an exhibit and slide show. Both will be available for viewing in the Archives until the end of June.  Please enjoy the images included below – some are from the exhibit itself, and others are taken from the collection.

1972 Open House poster

E. K. Jones portrait, Director of Nursing and head of the Nursing school, 1937-1964

Portrait and uniforms in Archives window

Florence Nightingale letter and portrait

Exhibit in Archives reading room

Display case featuring items from The Wellesley Hospital School of Nursing Collection

Elizabeth Flaws portrait, Director of Nursing 1912-1926

Homewood - Original Wellesley Hospital building.

Nursing uniform and cape, Toronto General Hospital - Wellesley Division 1948-1959

Graduation cap, Wellesley Nursing cape, and Wellesley graduation doll in 1968 uniform

The Wellesley Hospital School of Nursing graduation pin

 

Are you a Wellesley grad?  Was someone in your family a Wellesley girl? You can now email The Wellesley Hospital School of Nursing Alumnae Association at: thewellesleyschoolnsgtoronto@gmail.com

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The Wilhelm E. Nassau Camera Collection at Ryerson University

1920s studio camera from the Wilhelm E. Nassau Camera Collection

The Heritage Camera Collection more than doubled in size this past January thanks to the generous donation of approximately 500 cameras and pieces of camera equipment from Wilfrid Laurier University. The collection improves the holdings in European and Japanese manufacturers, and provides a greater selection for research in early camera designs. These cameras are on display inside Special Collections.

"Mouse trap" camera developed by William Henry Fox Talbot, ca. 1834 (replica made 2006) from the Wilhelm E. Nassau Camera Collection

Watch Camera from the Wilhelm E. Nassau Camera Collection

Polaroid 110A from the Wilhelm E. Nassau Camera Collection

Crystar camera next to Pony 135 for size comparison. The Crystar measures only _. From the Wilhelm E. Nassau Camera Collection.

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Feature from the Collections: Ryerson Opera Workshop

This past weekend the Ryerson Theatre School celebrated its 40th anniversary, but the history of student theatre on campus goes back well beyond that of the school. In 1951 the Ryerson Opera Workshop was first offered, headed up by English professor Jack McAllister. Students across campus, in any program, were invited to participate. The inaugural production was an exciting double bill of The Devil and Daniel Webster and Down in the Valley; the first was a re-telling of the classic Faust tale using a poor farmer as the lead character who sells his soul to the devil, and the second, a folk-opera peppered with famous American songs, including the titular “Down in the Valley.” According to newspaper reviews at the time, the shows were a success for the new Workshop.

Newspaper photo of the cast of "The Devil and Daniel Webster" from The Alumni Reporter, Fall 1952 RG718-4

Although the name implies something different today, the Opera Workshops focused on popular musical theatre, and the repertoire included Broadway hits like Once Upon a Mattress, Bye Bye Birdie, Snow White, The Wizard of Oz, The Beggar’s Opera and Peter Pan.

In the 1970s, Ryerson established the Theatre School and became one of the first professional schools in North America to offer training in all aspects of the theatre arts, from technical production to arts administration. It wasn’t long after the first cohort of theatre students appeared on campus that the extracurricular productions of the Ryerson Opera Workshops finally ceased. The last performance by the Opera Workshop was a children’s show entitled Stick with Molasses (1976). Today, the popular student musicals are replaced by an ambitious program of student-driven work throughout the year.

Scene from "The Beggar's Opera" 1952 RG718-3

Playbill for the 1953 production of "Brigadoon" RG718-3

Scene from "Brigadoon" RG718-3

Program for "Once Upon a Mattress" 1963, the last production in Old Ryerson Hall Theatre RG718-2

Scene from "Once Upon a Mattress" RG718-3

Playbill for the 1964 production of "Brigadoon," the first production in the new Ryerson Theatre RG718-2

Scene from "Brigadoon" 1964 RG718-2

Playbill for "Bye Bye Birdie" 1966 RG718-3

Scene from "Bye Bye Birdie" RG718-3

Playbill for "Alice in Wonderland" 1970 RG718-2

Actors in character for "Alice in Wonderland" 1970 RG718-3

Newspaper clipping with a picture from the last Ryerson Opera Workshop production on Nov. 25, 1976, "Stick with Molasses" RG718-4

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Change in opening hours for Special Collections

Beginning Monday, February 27, 2012, the Special Collections reading room will be available by appointment only. Appointments can be made by email or phone, at specialcollections@ryerson.ca or 416-979-5000 ext. 6897.

We anticipate that the change in scheduling will not significantly reduce access to Special Collections resources as many researchers already choose to contact us in advance of their visits. Every effort will be made to respond to appointment requests quickly, and drop-in visitors will be welcomed if a staff member is available to assist them.  We appreciate your patience and understanding in this matter.

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Kodak in the News for the last time?

In a shocking but not completely unforeseen announcement last week, the Kodak corporation filed for Chapter 11 bankruptcy in the United States.

Happier were the good ol' days of film production / 1937 advertisement from the Kodak Canada Corporate Archives & Heritage Collection

As little as a decade ago, the future for Kodak still seemed bright. Company literature produced in the 1990s confirmed Kodak Canada’s optimism that digital photographers would continue to look to Kodak for leadership and innovation in image-taking technologies. The move to digital would be slow and considered, with Kodak confident that the right product was better than any product.

Kodak Photo CDs were marketed to professionals as well as amateur photographers for digital image storage / 1993 photograph of Digital Imaging showroom from the Kodak Canada Corporate Archives & Heritage Collection

Was this transition too slow? Is Kodak still the master camera-maker it once was? Ryerson Professor Robert Burley and Curatorial Specialist Beth Knazook speculate on the unfortunate circumstances that have left Kodak in its current position.

Matt Galloway speaks with Robert Burley on CBC’s Metro Morning radio show (Thursday, Jan 19 2012): http://www.cbc.ca/metromorning/episodes/2012/01/19/unthinkable/

CBC reporter Havard Gould interviews Robert Burley and Beth Knazook for The National (Thursday, Jan 19 2012): http://www.cbc.ca/video/#/News/TV_Shows/The_National/1233408557/ID=2188640879

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